After the decline of the Sangam Age in the Tamil country, the Kalabhra rule lasted for about 250 years. Thereafter, the Pallavas established their kingdom in Tondaimandalam with its capital at Kanchipuram. Their rule continued till Tondaimandalam was captured and annexed by the Imperial Cholas in the beginning of the tenth century A.D.
There are different views on the origin of the Pallavas. They were equated with the Parthians, the foreigners who ruled western India. Another view was that the Pallavas were a branch of the Brahmin royal dynasty of the Vakatakas of the Deccan. The third view relates the Pallavas with the descendents of the Chola prince and a Naga princess whose native was the island of Manipallavam. But these theories on the origin of the Pallavas were not supported by adequate evidence. Therefore, the view that the Pallavas were the natives of Tondaimandalam itself was widely accepted by scholars. They are also identical with the Pulindas mentioned in the inscriptions of Asoka. When Tondaimandalam was conquered by the Satavahanas, the Pallavas became their feudatories. After the fall of the Satavahanas in the third century A.D., they became independent. The Pallavas issued their earlier inscriptions in Prakrit and Sanskrit because of their Satavahana connections, and also patronized Brahmanism.
The early Pallava rulers from 250 A.D. to 350 A.D. issued their charters in Prakrit. Important among them were Sivaskandavarman and Vijayaskandavarman. The second line of Pallava rulers who ruled between 350 A.D. and 550 A.D. issued their charters in Sanskrit. The most important ruler of this line was Vishnugopa who was defeated by Samudragupta during his South Indian expedition. The rulers of the third line who ruled from 575 A.D. to their ultimate fall in the ninth century issued their charters both in Sanskrit and Tamil. Simhavishnu was the first ruler of this line. He destroyed the Kalabhras and firmly established the Pallava rule in Tondaimandalam. He also defeated the Cholas and extended the Pallava territory up to the river Kaveri. Other great Pallava rulers of this line were Mahendravarman I, Narasimhavarman I, and Narasimhavarman II.
Mahendravarman I (600 – 630 A.D.)
The long-drawn Pallava – Chalukya Conflict began during his period. Pulakesin II marched against the Pallavas and captured the northern part of their kingdom. Although a Pallava inscription refers to the victory of Mahendravarman I at Pullalur, he was not able to recover the lost territory.
Mahendravarman I was a follower of Jainism in the early part of his career. He was converted to Shaivism by the influence of the Saiva saint, Thirunavukkarasar alias Appar. He built a Shiva temple at Tiruvadi. He assumed a number of titles like Gunabhara, Satyasandha, Chattakari (builder of temples) Chitrakarapuli, Vichitrachitta and Mattavilasa. He was a great builder of cave temples. The Mandagappattu inscription hails him as Vichitrachitta who constructed a temple for Brahma, Vishnu and Shiva without the use of bricks, timber, metal and mortar. His rock-cut temples are found in a number of places like Vallam, Mahendravadi, Dalavanur, Pallavaram, Mandagapattu and Tiruchirappalli. He had also authored the Sanskrit work Mattavilasa Prahasanam. His title Chitrakarapuli reveals his talents in painting. He is also regarded as an expert in music. The music inscription at Kudumianmalai is ascribed to him.
Narasimhavarman I (630-668 A.D.)
Narasimhavarman I was also known as Mamalla, which means ‘great wrestler’. He wanted to avenge the defeat of his father at the hands of Chalukya ruler Pulakesin II. His victory over Pulakesin II in the Battle of Manimangalam near Kanchi is mentioned in Kuram copper plates. The Pallava army under General Paranjothi pursued the retreating Chalukya army, entered Chalukya territory, captured and destroyed the capital city of Vatapi. Narasimhavarman I assumed the title ‘Vatapikonda’. He regained the lost territory. Another notable achievement of Narasimhavarman I was his naval expedition to Sri Lanka. He restored the throne to his friend and Sri Lankan prince Rama Varma. During his reign, Hiuen Tsang visited the Pallava capital Kanchipuram. His description of Kanchi is vivid. He calls it a big and beautiful city, six miles in circumference. It had 100 Buddhist monasteries in which about 10,000 Buddhist monks lived. According to his account the people of Kanchi esteemed great learning and the Ghatika at Kanchi served as a great centre of learning. Narasimhavarman I was the founder of Mamallapuram and the monolithic rathas were erected during his reign.
Narasimhavarman II or Rajasimha (695 -722 A.D.)
Narasimhavarman I was succeeded by Mahendravarman II and Parameswara Varman I and the Pallava – Chalukya conflict continued during their reign. Thereafter, Narasimhavarman II became the ruler of the Pallava kingdom. He was also known as Rajasimha. His regime was peaceful and he evinced more interest in developing the art and architecture. The Shore temple at Mamallapuram and the Kailasanatha temple at Kanchipuram were built in this period. He was also a great patron of art and letters. The famous Sanskrit scholar Dandin is said to have adorned his court. He sent embassies to China and the maritime trade flourished during his reign. Rajasimha assumed titles like Shankara Bhakta, Vadhyavidyadhara and Agamapriya. He was succeeded by Parameswaravarman II and Nandivarman II. The Pallava rule lasted till the end of the ninth century A.D. The Chola king Aditya I defeated the last Pallava ruler Aparajita and seized the Kanchi region. With this, the rule of the Pallava dynasty came to an end.
Administration of the Pallavas
The Pallavas had a well-organized administrative system. The Pallava state was divided into Kottams. The Kottam was administered by officers appointed by the king. The king was at the centre of administration in which he was assisted by able ministers. He was the fountain of justice. He maintained a well-trained army. He provided land-grants to the temples known as Devadhana and also to the Brahmans known as Brahmadeya. It was also the responsibility of the central government to provide irrigation facilities to the lands. A number of irrigation tanks were dug by the Pallava kings. The irrigation tanks at Mahendravadi and Mamandoor were dug during the reign of Mahendravarman I. Detailed information on the tax system could also be traced from the Pallava inscriptions. Land tax was the primary source of the government revenue. The Brahmadeya and Devadhana lands were exempted from tax. Traders and artisans such as carpenters, goldsmiths, washer-men, oil-pressers and weavers paid taxes to the government. The Pallava inscriptions throw much light on the village assemblies called sabhas and their committees. They maintained records of all village lands, looked after local affairs and managed temples.
Society under the Pallavas
The Tamil society witnessed a great change during the Pallava period. The caste system became rigid. The Brahmins occupied a high place in the society. They were given land-grants by the kings and nobles. They were also given the responsibility of looking after the temples. The Pallava period also witnessed the rise of Saivism and Vaishnavism and also the decline of Buddhism and Jainism. The Saiva Nayanmars and the Vaishnava Alwars contributed to the growth of Saivism and Vaishnavism. This is known as the Bhakti Movement. They composed their hymns in the Tamil language. These hymns revealed the importance of devotion or Bakthi. The construction of temples by the Pallava kings paved the way for the spread of these two religions.
Education and Literature
The Pallavas were great patrons of learning. Their capital Kanchi was an ancient centre of learning. The Ghatika at Kanchi was popular and it attracted students from all parts of India and abroad. The founder of the Kadamba dynasty, Mayurasarman studied Vedas at Kanchi. Dinganaga, a Buddhist writer, came to study at Kanchi. Dharmapala, who later became the Head of the Nalanda University, belonged to Kanchi. Bharavi, the great Sanskrit scholar lived in the time of Simhavishnu. Dandin, another Sanskrit writer, adorned the court of Narasimhavarman II. Mahendravaraman I composed the Sanskrit play Mattavilasa Prahasana. Tamil literature had also developed. The Nayanmars and Alwars composed religious hymns in Tamil. The Devaram composed by Nayanmars and the Nalayradivyaprabandam composed by Alwars represent the religious literature of the Pallava period. Perundevanar was patronized by Nandivarman II and he translated the Mahabharata as Bharathavenba in Tamil. Nandikkalambagam was another important work but the name of the author of this work is not known. Music and dance also developed during this period.
Pallava Art and Architecture
It was a great age of temple building. The Pallavas introduced the art of excavating temples from the rock. In fact, the Dravidian style of temple architecture began with the Pallava rule. It was a gradual evolution starting from the cave temples to monolithic rathas and culminated in structural temples. The development of temple architecture under the Pallavas can be seen in four stages.
Mahendravarman I introduced the rock-cut temples. This style of Pallava temples are seen at places like Mandagappattu, Mahendravadi, Mamandur, Dalavanur, Tiruchirappalli, Vallam, Siyamangalam and Tirukalukkunram.
The second stage of Pallava architecture is represented by the monolithic rathas and Mandapas found at Mamallapuram. Narasimhavarman I took the credit for these wonderful architectural monuments. The five rathas, popularly called as the Panchapanadava rathas, signifies five different styles of temple architecture. The mandapas contain beautiful sculptures on its walls. The most popular of these mandapas are Mahishasuramardhini Mandapa, Tirumurthi Mandapam and Varaha Madapam.
In the next stage, Rajasimha introduced the structural temples. These temples were built by using the soft sand rocks. The Kailasanatha temple at Kanchi and the Shore temple at Mamallapuram remain the finest examples of the early structural temples of the Pallavas. The Kailasanatha temple at Kanchi is the greatest architectural masterpiece of the Pallava art. The last stage of the Pallava art is also represented by structural temples built by the later Pallavas. The Vaikundaperumal temple, Muktheeswara temple and Matagenswara temples at Kanchipuram belong to this stage of architecture. The Pallavas had also contributed to the development of sculpture. Apart from the sculptures found in the temples, the ‘Open Art Gallery’ at Mamallapuram remains an important monument bearing the sculptural beauty of this period. The Descent of the Ganges or the Penance of Arjuna is called a fresco painting in stone. The minute details as well as the theme of these sculptures such as the figures of lice-picking monkey, elephants of huge size and the figure of the ‘ascetic cat’ standing erect remain the proof for the talent of the sculptor.
Music, dance and painting had also developed under the patronage of the Pallavas. The Mamandur inscription contains a note on the notation of vocal music. The Kudumianmalai inscription referred to musical notes and instruments. The Alwars and Nayanmars composed their hymns in various musical notes. Dance and drama also developed during this period. The sculptures of this period depict many dancing postures. The Sittannavasal paintings belonged to this period. The commentary called Dakshinachitra was compiled during the reign of Mahendravarman I, who had the title Chittirakkarapuli. Besides the Pallavas, the Western Chalukyas and the Rashtrakutas in the Deccan constitute important political forces. Both these kingdoms had their rivals in the far south, namely the Pallavas and later the Cholas. Their period has also been important in the history of India for their cultural contributions.
Chalukyas (543 – 755 A.D.)
The Western Chalukyas ruled over an extensive area in the Deccan for about two centuries after which the Rashtrakutas become powerful. The family of Western Chalukyas had its offshoots like the Eastern Chalukyas of Vengi and the Chalukyas of Kalyani. Pulakesin I was the founder of the Chalukya dynasty. He established a small kingdom with Vatapi or Badami as its capital.
Pulakesin II (608-642 A.D.)
The most important ruler of this dynasty was Pulakesin II. The Aihole inscription issued by him gives the details of his reign. He fought with the Kadambas of Banavasi and the Gangas of Mysore and established his suzerainty. Durvinita, the Ganga ruler accepted his overlordship and even gave his daughter in marriage to Pulakesin II. Another notable achievement of Pulakesin II was the defeat of Harshavardhana on the banks of the river Narmada. He put a check to the ambition of Harsha to conquer the south. In his first expedition against the Pallavas, Pulakesin II emerged victorious. But he suffered a humiliating defeat at the hands of Narasimhavarman I near Kanchi. Subsequently, the Chalukya capital Vatapi was captured and destroyed by the Pallavas. The most important event in the reign of Pulakesin II was the visit of Hiuen Tsang to his kingdom. The successor of Pulakesin II was Vikramaditya. He once again consolidated the Chalukya kingdom and plundered the Pallava capital, Kanchi. Thus, he had avenged his father’s defeat and death at the hands of the Pallavas. Kirtivarman II was the last of the rulers of the Chalukyas. He was defeated by Dantidurga, the founder of the Rashtrakutas dynasty. Administration and Social Life under the Chalukyas The Chalukya administration was highly centralized unlike that of the Pallavas and the Cholas. Village autonomy was absent under the Chalukyas. The Chalukyas had a great maritime power. Pulakesin II had 100 ships in his navy. They also had a small standing army. The Badami Chalukyas were Brahmanical Hindus but they gave respect to other religions. Importance was given to Vedic rites and rituals. The founder of the dynasty Pulakesin I performed the asvamedha sacrifice. A number of temples in honour of Vishnu, Siva and other gods were also built during this period. Hiuen Tsang mentioned the decline of Buddhism in western Deccan. But Jainism was steadily on the path of progress in this region. Ravikirti, the court poet of Pulakesin II who composed the Aihole inscription was a Jain.
Art and Architecture
The Chalukyas were great patrons of art. They developed the vesara style in the building of structural temples. However, the vesara style reached its culmination only under the Rashtrakutas and the Hoysalas. The structural temples of the Chalukyas exist at Aihole, Badami and Pattadakal. Cave temple architecture was also famous under the Chalukyas. Their cave temples are found in Ajanta, Ellora and Nasik. The best specimens of Chalukya paintings can be seen in the Badami cave temple and in the Ajanta caves. The reception given to a Persian embassy by Pulakesin II is depicted in a painting at Ajantha. The Chalukya temples may be divided into two stages. The first stage is represented by the temples at Aihole and Badami. Among the seventy temples found at Aihole, four are important.
- Ladh Khan temple is a low, flat-roofed structure consisting of a pillared hall.
- Durga temple resembles a Buddha Chaitya.
- Huchimalligudi temple.
- The Jain temple at Meguti.
Among the temples at Badami, the Muktheeswara temple and the Melagutti Sivalaya are notable for their architectural beauty. A group of four rock-cut temples at Badami are marked by high workmanship. The walls and pillared halls are adorned by beautiful images of gods and human beings.
The second stage is represented by the temples at Pattadakal. There are ten temples here, four in the northern style and the remaining six in the Dravidian style. The Papanatha temple is the most notable in the northern style. The Sangamesvara temple and the Virupaksha temple are famous for their Dravidian style. The Virupaksha temple is built on the model of the Kailasanatha temple at Kanchipuram. It was built by one of the queens of Vikramaditya II. Sculptors brought from Kanchi were employed in its construction.
Rashtrakutas (755 – 975 A.D.)
The Rashtrakutas were of Kannada origin and Kannada language was their mother tongue. Dantidurga was the founder of the Rashtrakuta dynasty. He defeated the Gurjaras and captured Malwa from them. Then he annexed the Chalukya kingdom by defeating Kirtivarman II. Thus, the Rashtrakutas become a paramount power in the Deccan. His successor Krishna I was also a great conqueror. He defeated the Ganges and the eastern Chalukyas of Vengi. He built the magnificent rock-cut monolithic Kailasa temple at Ellora. The next important king of this dynasty was Govinda III. He achieved victories over north Indian kingdoms.
His successor Amoghavarsha I (815- 880 A.D.) ruled for a long period of 64 years. He had lost control over Malwa and Gangavadi. Yet, his reign was popular for cultural development. He was a follower of Jainism. Jinasena was his chief preceptor. He was also a patron of letters and he himself wrote the famous Kannada work, Kavirajamarga. He had also built the Rashtrakuta capital, the city of Malkhed or Manyakheda.
Among the successors of Amoghavarsha I, Krishna III (936- 968 A.D.) was famous for his expeditions. He marched against the Cholas and defeated them at Takkolam. He marched further south and captured Tanjore. He went as far as Rameswaram and occupied it for some time. He built several temples in the conquered territories including the Krishneswara temple at Rameswaram. Throughout his reign he possessed the Tondaimandalam region including the capital Kanchi. After his death, the power of the Rashtrakutas declined.
The Rashtrakuta Empire was divided into several provinces called rashtras under the control of rashtrapati. They were further divided into vishayas or districts governed by vishayapatis. The next subdivision was bhukti consisting of 50 to 70 villages under the control of bhogapathi. These officers were directly appointed by the central government. The village administration was carried on by the village headmen. However, the village assemblies played a significant role in the village administration.
Society and Economy
The Hindu sects of Vaishnavism and Shaivism flourished during the period of Rashtrakutas. Yet, they did not affect the progress of Jainism under the patronage of Rashtrakuta kings and officers. Almost one third of the population of the Deccan were Jains. There were some prosperous Buddhist settlements at places like Kanheri, Sholapur and Dharwar. There was harmony among various religions. There was a college at Saratoga, situated in modern Bijapur district. An inscription gives details of this educational centre. It was run by the income from the endowments made by the rich as well as by all the villagers on occasions of functions and festivals. The economy was also in a flourishing condition. There was an active commerce between the Deccan and the Arabs. The Rashtrakuta kings promoted the Arab trade by maintaining friendship with them.
The Rashtrakutas widely patronized the Sanskrit literature. There were many scholars in the Rashtrakuta court. Trivikrama wrote Nalachampu and the Kavirahasya was composed by Halayudha during the reign of Krishna III. The Jain literature flourished under the patronage of the Rashtrakutas. Amoghavarsha I, who was a Jain patronized many Jain scholars. His teacher Jinasena composed Parsvabhudaya, a biography of Parsva in verses.
Another scholar unabhadra wrote he Adipurana, the life stories of various Jain saints. Sakatayana wrote the grammer work called Amogavritti. The great mathematician of this period, Viracharya was the author of Ganitasaram. The Kannada literature saw its beginning during the period of the Rashtrakutas. Amoghavarsha Kavirajamarga was the first poetic work in Kannada language. Pampa was the greatest of the Kannada poets. His famous work was Vikramasenavijaya. Ponna was another famous Kannada poet and he wrote Santipurana.
Art and Architecture
The art and architecture of the Rashtrakutas were found at Ellora and Elephanta. At Ellora, the most remarkable temple is the Kailasa temple. It was excavated during the reign of Krishna I. It is carved out of a massive block of rock 200 feet long, and 100 feet in breadth and height. The temple consists of four parts – the main shrine, the entrance gateway, an intermediate shrine for Nandi and mandapa surrounding the courtyard.
The temple stands on a lofty plinth 25 feet high. The central face of the plinth has imposing figures of elephants and lions giving the impression that the entire structure rests on their back. It has a three-tiered sikhara or tower resembling the sikhara of the Mamallapuram rathas. In the interior of the temple there is a pillared hall which has sixteen square pillars.
The Kailasa temple is an architectural marvel with its beautiful sculptures. The sculpture of the Goddess Durga is shown as slaying the Buffalo demon. In another sculpture Ravana was making attempts to lift Mount Kailasa, the abode of Siva. The scenes of Ramayana were also depicted on the walls. The general characteristics of the Kailasa temple are more Dravidian. Elephanta is an island near Bombay. It was originally called Sripuri. The Portuguese after seeing the large figure of an elephant named it Elephanta. The sculptural art of the Rashtrakutas reached its zenith in this place. There is a close similarity between the sculptures at Ellora and those in Elephanta. They might have been carved by the same craftsmen. At the entrance to the sanctum there are huge figures of dwara-palakas.
In the walls of the prakara around the sanctum there are niches containing the images of Shiva in various forms – Nataraja, Gangadhara, Ardhanareeswara and Somaskanda. The most imposing figure of this temple is Trimurthi. The sculpture is six metre high. It is said to represent the three aspects of Shiva as Creator, Preserver and Destroyer.
- Module-1 Ancient India by NIOS
- India’s Ancient Past by RS Sharma
- Class-11 Tamil Nadu State Board History Book